The Blagger's Guide To: The Owl and the Pussycat

They danced by the light of the moon ... and then what?

If you're anything like the Blagger, you may have wondered what happened to the Owl and the Pussycat after they were married with the piggy-wig's ring by the turkey who lived on the hill. Did the mixed marriage last? Were there children? What would they look like? And what is a runcible spoon? Well you're in luck: there's a sequel! The Further Adventures of The Owl and the Pussycat by Julia Donaldson and illustrated by Charlotte Voake, is published at the end of the month. In the story, the wedding ring is stolen, and the newlyweds embark on a series of rhyming adventures. It begins:

"The Owl and the Pussy-cat went to sleep

By the light of the moon so pale.

Their beautiful ring was tied with string

In a bow round the Pussy-cat's tail.

They dreamed of mice, and raspberry ice,

While slumbering cheek to cheek.

But down flew a crow who unravelled the bow

And flew off with the ring in his beak,

His beak, his beak,

And flew off with the ring in his beak …"

Edward Lear wrote his famous poem for Janet Symonds, the three-year-old daughter of his friends, the poet and Renaissance scholar John Addington Symonds and his wife Catherine. It was first published in 1871 in the book Nonsense Songs, Stories, Botany, and Alphabets.

Lear was the 20th of 21 children, and was given to his aunt to look after when he was four. He suffered from epilepsy, which he kept secret, and was unlucky in love, though children adored him. His self-portrait in verse begins:

"'How pleasant to know Mr Lear!'

Who has written such volumes of stuff!

Some think him ill-tempered and queer,

But a few think him pleasant enough."

The Ashmolean in Oxford celebrated Lear's bicentenary year in 2012 with an exhibition of 100 of his drawings and paintings. As well as illustrations for his nonsense verse, Lear was an accomplished landscape painter. "I think he's probably the best ornithological illustrator that ever was," said Sir David Attenborough, who owns some of Lear's works. "They are magnificent – not only scientifically correct but as works of art, they are amazing."

Terry Jones, on the other hand, is not a fan of Lear's verse, which posed problems when he wrote the libretto to an opera based on "The Owl and the Pussycat" last year. "I mean, the word 'runcible' – it doesn't mean anything," he said. "They just sail in a pea-green boat with plenty of money and honey, and they get married and dance by the light of the moon. The only drama is, 'What shall we do for a ring?' and that's solved by having a wood in which a piggy-wig stood." He got around it by writing a prequel. "What interested me was how they got together. There must have been some tension …."

The genders of the Owl and the Pussycat are not explicit, though most readers assume that Pussy is female because Owl describes her as "beautiful". On the other hand, Pussy proposes to Owl. What a very modern cross-species romance.

The Further Adventures of The Owl and the Pussycat, by Julia Donaldson and Charlotte Voake, is published on 29 August by Puffin (£10.99).

Register for free to continue reading

Registration is a free and easy way to support our truly independent journalism

By registering, you will also enjoy limited access to Premium articles, exclusive newsletters, commenting, and virtual events with our leading journalists

Please enter a valid email
Please enter a valid email
Must be at least 6 characters, include an upper and lower case character and a number
Must be at least 6 characters, include an upper and lower case character and a number
Must be at least 6 characters, include an upper and lower case character and a number
Please enter your first name
Special characters aren’t allowed
Please enter a name between 1 and 40 characters
Please enter your last name
Special characters aren’t allowed
Please enter a name between 1 and 40 characters
You must be over 18 years old to register
You must be over 18 years old to register
Opt-out-policy
You can opt-out at any time by signing in to your account to manage your preferences. Each email has a link to unsubscribe.

By clicking ‘Create my account’ you confirm that your data has been entered correctly and you have read and agree to our Terms of use, Cookie policy and Privacy notice.

This site is protected by reCAPTCHA and the Google Privacy policy and Terms of service apply.

Already have an account? sign in

By clicking ‘Register’ you confirm that your data has been entered correctly and you have read and agree to our Terms of use, Cookie policy and Privacy notice.

This site is protected by reCAPTCHA and the Google Privacy policy and Terms of service apply.

Register for free to continue reading

Registration is a free and easy way to support our truly independent journalism

By registering, you will also enjoy limited access to Premium articles, exclusive newsletters, commenting, and virtual events with our leading journalists

Already have an account? sign in

By clicking ‘Register’ you confirm that your data has been entered correctly and you have read and agree to our Terms of use, Cookie policy and Privacy notice.

This site is protected by reCAPTCHA and the Google Privacy policy and Terms of service apply.

Join our new commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in