An early glimpse at Sam Taylor-Johnson’s Amy Winehouse biopic has upset fans. Given the vulture-like efficiency with which the late singer’s life was picked over, it’s near-impossible to think of a sincere reason to make this film, Roisin O’Connor writes

Concluding our series of first-hand accounts of life in tents, Patrick Smith recalls the way that festivals such as End of the Road and Primavera have helped him through bad times, from heartbreak to grief to crushing depression